Animated cautionary tale of greed titled, Hunger (1974), produced by the National Film Board of Canada and directed by Peter Foldes.
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
Monday, November 15, 2010
la faim.
Labels:
animation,
art,
Cartoons,
greed,
hunger,
la faim,
national film board of canada,
peter foldes
Tuesday, October 19, 2010
Tuesday, October 5, 2010
Tuesday, August 17, 2010
Wednesday, August 11, 2010
Thursday, June 17, 2010
Tuesday, June 8, 2010
bronislaw zelek.
Posters by Polish graphic designer Bronislaw Zelek.
+To Kill A Mockingbird, 1965+

+The Birds, 1965+

+Strach, 1963+
Labels:
art,
bronislaw zelek,
graphic design,
illustrations
Monday, June 7, 2010
sleazy slice.
A couple of months ago I posted some flicks from a mid 90's smut comic titled, Spore Whores by the controversial S.C.A.R. Just when I thought the Australian gross-out duo had fallen off the face of the earth I find issue #4 of Sleazy Slice (published by Robin Bougie hailing from Vancouver, British Columbia). A comic compilation with a little slice of S.C.A.R. by the name of Z'bula: Warqueen.
Labels:
art,
comics,
robin bougie,
S.C.A.R.,
sleazy slice,
smut
the grabbies.
I regrettably slept on purchasing an issue of Robert Crumb's The Grabbies in a back issue bin at a comic shop a few years ago.
LSD blotter paper featuring an illustration from the book.
Labels:
art,
blotter paper,
lsd,
robert crumb,
the grabbies
Tuesday, May 18, 2010
playing opposite.
Whitewalls "a journal of language and art" no. 33+34, 1994, Sweat Sixteen Anniversary. This issue is chocked full of goodness, particularly this stuff by Aimee Beaubien.
+Getting Through To+
playing opposite:
PENETRATING OBJECT
STIMULATING OBJECT
MOUNTING OBJECT





Sunday, May 16, 2010
a faire fielde ful of folke.
Arts Canada, December 1969. This issues features Canadian grassroots art from coast to coast. My favorite work is by a Mr. Andy MacDonald, who created a creepy roadside village of "people" from Javex bottles, old clothing and discarded everyday remnants. The figures were arranged in a freaky assortment of pantomimes and exhibited a piece of cloth or plastic on which was written a single distinguishing thought, for example: "There's some people that find it hard to smile. To them only, look at the doll baby above." Andy's village was located between Aulac, New Brunswick and Cape Tormentine, en route to the P.E.I. Ferry. I have found no evidence that it still exists today.



Labels:
1969,
andy macdonald,
art,
arts canada,
cape tormentine,
new brunswich,
pei
Thursday, May 13, 2010
Wednesday, April 28, 2010
the esp experiment.
Neil Rose is a proper-ass university professor that's gotten a little batty with his research, yielding exciting results. Either he's attempting communication with the dead through drugs used to channel paranormal experiences, or simply a clever artist. Regardless, the sounds really do it for me.
Taken from Residuum, Neil Rose's research and Shawn Lewins text:


While conducting research in anticipation for the publication of ‘Wilbor Whateley/Psychopomps’, a recording yielding astonishing results not least for its qualities as a guide for metaphysical energies. Neil Rose made early steps into releasing/drawing through these energies and through careful (and highly secret) use of sonic wave lengths was able to physically manifest a tangible example, this became known as the “psychopomp trials” an experiment into connecting with those things we can measure but cannot always experience, the Psychopomp, Xolotl, ManannĂ¡n mac Lir, or Angel: the guide to the ‘other side’ where souls are to be judged and ultimately charged with their actions.
After this series of experiments Rose encountered an unanticipated side effect, a phenomena that caused surprising readings in his test equipment long after experimentation was terminated, Rose considered these readings to be a “residue” conjecturing that the drawing of such massive, and potentially incompatible, levels of energy must leave a mark and it is this mark or “residue” that was registering on test equipment.
After this series of experiments Rose encountered an unanticipated side effect, a phenomena that caused surprising readings in his test equipment long after experimentation was terminated, Rose considered these readings to be a “residue” conjecturing that the drawing of such massive, and potentially incompatible, levels of energy must leave a mark and it is this mark or “residue” that was registering on test equipment.
Labels:
art,
drugs,
Neil Rose,
paranormal,
research,
Shawn Lewins,
sounds
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